![]() With a wide 1.4 aperture and 9-blade diaphragm, this Sigma lens works great in low-light, and can generate some really nice bokeh. ![]() It’s wide enough for landscape photography, yet tight enough that it avoids distortion. Firstly, the 35mm focal length means it offers the best of both worlds when it comes to wide-angle versus telephoto lenses. The Sigma 35mm F1.4 DG HSM is a popular lens, and for good reason. The compact Sony 24mm F1.4 is a powerful lens, and an excellent partner to the a7s III. However, it’s also considerably heavier, with an arguably less impressive performance and build. The Sigma 24mm F1.4 DG HSM is a cheaper alternative. A click switch enables you to decide if you want the ring to move smoothly, or if you want to feel each rotation. Unlike the 16-35mm, the Sony 24mm has an aperture ring, a nice touch if you like to adjust F-stop using the lens. The lens has a great autofocus performance, and like the 16-35mm, has an AF/MF switch and a programmable hold focus button on the side. The 1.4 aperture means the lens works great in low-light, while the 11-blade diaphragm produces smooth, pleasing bokeh. Like the Sony 16-35mm above, the 24mm has 2 XA elements in its construction that reduce distortion, as well as 3 ED elements for suppressing chromatic aberration. The lens is particularly well suited to landscape photography. ![]() As a prime lens, the Sony 24mm is small and light, yet highly capable. The Sony A7S III and the Sony FE 24mm F1.4 GM lens make a fine marriage. When you’re using this Sony lens with your a7S III, you should have no trouble capturing razor sharp imagery with beautiful bokeh and corner-to-corner resolution. A more affordable alternative is the Tamron 17-28mm F2.8 di III RXD, although there is a small sacrifice in overall quality. Sony’s G Master lenses tend to be pricey, and the 16-35mm is no exception. This is particularly helpful if you’re shooting video and need the autofocus to work continually without making any noise. The lens has two DDSSM systems as well, which help it achieve sharp focus quickly and quietly. They also complement the lens’ wide aperture and 11-blade diaphragm to produce smooth, beautiful bokeh. Two XA (extreme aspherical) elements minimize distortion and field curvature, which can sometimes occur with wide-angle lenses. Internally, the lens has a first-rate construction. There’s an AF/MF switch on the side of the lens, along with a focus hold button that can be assigned to other functions via the camera. The metallic body has strong weather sealing, and ring movement is smooth and precise. If you’re shooting with a Sony a7S III, the Sony FE 16-35mm F2.8 GM lens is a great choice. Sony 16-35mm F2.8 GMĪll photographers and videographers should have a wide-angle lens in their camera bag. Without further ado, here are our picks for the 5 best lenses for the Sony a7S III. Despite the plethora of options, we’ve identified five specific lenses that we think will help you get the most out of your camera. Sony a7S III shooters certainly have plenty of e-mount lenses to choose from. Leading third-party lens brands have made a concerted effort to release high quality lenses to pair with the powerful, full-frame mirrorless cameras that are now on the market. Here’s a roundup of the 5 best lenses for the Sony a7s III. However, a camera is only as good as the lenses you use it with. When comparing it with the a7s II, we declared it worthy of the hype it’s attracted, citing a powerful full-frame sensor and remarkable 4K video capabilities. ![]() Since its release in July, the Sony a7S III has proven to be one of 2020’s most popular cameras. ![]()
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